Books By C. LItka

Books By C. LItka

Friday, April 10, 2020

Remarks and Observations Directed at the Clouds – Asian TV (Part 1)

Image credit:https://ninja-reflection.com/2018/09/24/rise-phoenixes-novel-ending/


After trashing the TV sf show, Vagrant Queen, in the last post, I’m going to tell the clouds about something positive this time around. I’m going to talk about how much I enjoy Asian TV shows, mainly Chinese and Korean TV shows – and why.

But first, a little background on how I came to discover them. I can draw a direct line back sixty years to grade school, and to the fact that I can not memorize by rote. I could not, and still can not, spell words, because spelling, in English, anyway, makes no sense. Rules have been broken at will, (though you dare not try it yourself) and a word’s spelling is not necessarily connected to its modern, or its regional pronunciation. Correct spelling can only be achieved by rote memorization. See Dr Gerard Nolste Trenite’s poem “The Chaos” here: https://the-digital-reader.com/2020/03/03/if-you-can-correctly-pronounce-every-word-in-this-poem-actually-most-people-can/

But enough of that, I’m trying to remain positive in this post. However, I must also mention that to pass a language class in high school, rote memorization was also necessary, at least back in my day. I failed freshman year Spanish in high school, and so I had to take five semesters of a foreign language in college. Given that I could not spell English, it seemed unlikely that I would be able to correctly spell French or German words correctly, (Spanish was a non-starter after my high school experience.) even if I had managed to memorize enough of the grammar to have a chance of passing any test. Faced with this reality, I signed up for Chinese.

Spelling was not a problem in Chinese. True, I had to rote memorize characters, but they, at least, appealed to my artistic side, and how they were constructed was interesting as well. (And since our professors were Taiwanese, we were learning the original characters, not the simplified ones from Mao’s mainland China.) However, I found, as I went along, that Chinese grammar is nice and simple. There are no tenses in Chinese. You simply say when the action occurred without changing the word, i.e. “I yesterday go, I today go, I tomorrow go.” Plus, there is no male or female words, or different social caste conventions, and other such nonsense. The spoken language did depend on how one said the word – it could have four different meanings depending on how it was pronounced – so one has to train one’s ears to catch the subtle differences in the four tones. Still, all in all, it had, for me, a lot of advantages over most other languages. Not, mind you that I was any good at it, for I wasn’t. But, it had one other advantage in 1968 – China was still under Mao and was not playing the large role in the world as it now plays – so that the East Asian department at the University of Wisconsin, wanted students, and was reluctant to flunk them out. Where the French or German departments would’ve had me out on my ear, I managed to get my five semesters in, more or less on the basis that at least I was trying… So I was able to earn a BA in international relations, in which I took all the course I could on China and East Asia, because I knew then, as I know today, that China would be the central power of the 21st century. I did not pursue a career in the foreign service – I didn’t have the right connections, wasn’t motivated enough, and well, it was 1972 and I was not in agreement on how America conducted its foreign policy – and probably will never be.

So, fast forward 40 some years and I discovered some Mandarin language TV shows on Netflix, and decided to give one a try –if only to hear the spoken language to pick out the six words I remembered from two and a half years of college Chinese. And I discovered that I liked the way the Chinese told their stories on TV for a number of reasons.

One of the major reasons is, to put it in a nutshell; they take their time telling stories. One of the first shows I watched was set in Shanghai in the late 1930’s and early 1940’s when the Japanese occupied the city. It was a story of Chinese collaboration and resistance to the Japanese occupation, and was based on a novel. The TV show from this novel probably had a running time of around 35 hours. I liked that they took the time to establish characters and motivations, and allow those characters and their motivations play out over time. The Chinese shows generally have about 40+ episodes of 45 minutes to an hour each. I could watch one a day for a month and a half, allowing it to play out like a soap opera. I doubt that this pace is for everyone, but it is for me – in most cases. I have found that some shows do seem to drag things out and run too long to fill in their time slot, especially the romantic comedies, but still, I’d rather them err on the side of longer than shorter. The Korean shows, on the other hand, run 16 episodes of an hour or more, which is a little more manageable.

The second major reason I enjoy Asian shows is that they portray a different society. Stories set in an exotic world was, and is one, of the major draws of science fiction for me. Stories set in China, and Korea, be it ancient or modern, are set in an exotic world. Neither country scrimps on sets or costumes when they shot a historical show, and their modern settings are both familiar and different at the same time. Chinese cities look like 21st century cities – cities of the future – because they are. And the Korean shows show a lot of different cityscapes, from ultra modern to picturesque neighborhoods with houses seeming piled one on top of the other.

But of course, the differences don’t stop with architecture. I find it fascinating to observe all the little cultural differences as well, from the food they eat, and how they eat it, how they dress and the various social customs these shows display.

For example, one thing all the Chinese shows seem to have in common, is that when one of the characters gets hurt, say a skinned knee, another character will show how much they care for them, by treating their injury, be it only dressing it and putting on the bandage. You can count on someone getting injured and treated by their romantic opposite in every Chinese show. Another way of showing kindness and affection, is giving a person a piece of food. The Chinese each have a bowl of rice, with all the main course of the meal set in the middle of the table. Everyone uses their chopstick to pick out pieces of these dishes to eat, or to place in the rice bowl of the person they wish to show their regard or affection for. It is also, apparently, not considered impolite to speak with your mouth full, and both the Chinese and Korean shows often have characters talking as they eat. And eating very eagerly apparently shows one’s appreciation for the food and hospitality. In short, there are plenty of these little cultural differences to make the shows just that much more interesting. Another surprising thing is how often an English word or phrase is used on conversation, often to emphasis a point – illustrating how common English language in school must be. Americans, at any rate, rarely, if at all, insert a foreign word into their conversations, unless it is that German word one uses when someone sneezes. Which I can’t spell.

Another thing I like about Asian shows is that they take their time to develop their romances. Romance is almost always a very slow burn. Kissing is very rare in Chinese shows. When people are jumping into bed in western shows, the Chinese may be experiencing their first kiss, if that. I’m a fan of the chase in romances, and the chase in these Asian shows is a long, sometimes rocky, sometimes sweet one.

Oh, well, I guess I’ve gone on long enough, talking to the clouds. So to sum up this installment; I like Asian TV shows because they take their time to develop characters and tell a story, I like that they are set in exotic lands, and that, after several hundred hours of watching Chinese shows, I sometimes don’t need the subtitles…

In my next episode of this series, I will tell the clouds about the shows that I've watched, really liked or loved and can recommend.

Image credit: https://www.thailandtatler.com/style/chopard-steals-the-show-in-crash-landing-on-you 






Wednesday, April 8, 2020

Remarks and Observations Directed at the Clouds -- Vagrant Queen


Introduction
As an old man of some 70 years, I'm now an elder of society. And as an elder of society, I believe I've the right to yell at the clouds. Hell, as an old man of 70 I've nothing better to do than yell at the clouds. For all the good it will do. And with nothing more to write about my writing, for now, I might as well use this blog to yell at those damn clouds. So this is my first post in a new series of what I shall call, well, let’s see… Remarks and Observations Directed at the Clouds.

Image: Syfy Vagrant Queen 1st episode

First in the series is, the syfy TV show called the Vagrant Queen, which is (allegedly) a science fiction show. Sysf description of the show:

With civilization at stake, it’s one queen, a deadbeat and a mechanic against a whole damn galaxy. Buckle up, because you're in for a wild ride, when Vagrant Queen premieres Friday, March 27 at 10/9c
The 10-episode series follows Elida (Adriyan Rae) from child queen to orphaned outcast, as she scavenges the treacherous corners of the galaxy, always one step ahead of the Republic government out to extinguish her bloodline. When her old friend Isaac (Tim Rozon) shows up claiming her mother Xevelyn is still alive, they head off with their new ally, Amae (Alex McGregor), to stage a rescue that will take her back into the perilous heart of her former kingdom and up against a deadly foe from her childhood, Commander Lazaro (Paul du Toit).
The first two episodes have been released on Youtube, which allowed me not only to view them, but to tell you just how bad they are, from my viewing of episode one and ten minutes of the second. Ten minutes into the second episode proved to me my limit. I’m not going to do a full recap. Watch’em if you care to.
The first episode opens with a ruin in a desert (wow! original) with the title character, our ex-queen now working as a scavenger. One point here, at least the hero is not a bounty hunter. She had just discovered a macguffin of some value when she is ambushed by two other scavengers. Who talk a lot, like villains do until she shoots them. One, at least, in cold blood. She’s a hard boiled scavenger. 
Then we’re off to a space station, with lots of aliens and bars. No points here for originality. Straight out of Firefly, and likely countless other sf shows. (Firefly is about the only one I’ve seen…) She doesn’t get what she expects to get for her macguffin, and well, her ship is a piece of sh*t and needs repairs that she can ill (or not) afford to get done.
Next we see some lighthearted shots of some guys playing strip-something, and a lesbian mechanic, before a vast Republic space ship appears announcing that the authorities are boarding the space station to search for a fugitive, our hard boiled ex-queen/scavenger. A shuttle, tiny compared to the great ship, departs from the vast space ship and heads to space station, with a comical villain in command of a pack of storm troopers in black, apparently with three eyes. Those three eyes buys them half a point.
The search for our hero aboard the space station occupies the next 40 some minutes, ending in a gun battle as our hero and her new found companions, try to reach her piece of sh*t ship to escape. The battle just comes to a screeching halt when the comical Republic villain appears. Everyone just stops shooting so that they can stand around talking, which villains love to do. I don’t know why our hard boiled hero doesn’t just shot him, since he’s just standing there… but I guess… well, I guess he has a contract for 10 episodes. In the end, a dog-boy alien seems to sacrifice his life so that our heroes can escape in their ship. 
The comical villain is just left standing there, frustrated. When one of his men suggest that he contact his superiors about what happened, the villain shots him. Our comical villain is also hard boiled. As an aside, I have always wondered why storm troopers wear armor when it provides absolutely no protection. Or why storm troopers don’t shoot pathologically ruthless officers in the back as soon as they turn around and simply claim they were shot in the course of the action. Anyways back to the escape. It goes without a hitch, because that vast Republic spaceship -- remember it? Well, the writers didn't, because it is gone. Not anywhere to be found. I guess it was too inconvenient. I mean, how could they escape if it was still around? It would require some clever idea and writing, which is nowhere to be found here.
Episode two has them landing on a planet to make repairs to their sh*tty ship. It opens with them landing on this planet. I will admit that I did not see the threads that had to have been holding up the little model that they were using to film the scene. But that's about all. It looked every bit as real as a Flash Gordon serial out of the 1930’s.  Sorry, no points. To repair the ship they need to get some gas. I kid you not. They go off with a 20 gallon container to collect some gas from a wrecked space ship nearby. Yah, in this future, I guess space ships run on gas, just like your Honda. Huh, who would’ve thunk that? I wonder how many lightyears to the gallon do spaceships get?
While getting the gas, our hero is attacked by a guy in a monkey suit with extra long arms. Our hard boiled ex-queen/scavenger shoots him or her. This was about ten minutes into the show, or maybe a little less, and well, it was all I could watch. I’m 70 years old. I don’t have the time to waste watching one of the dumbest shows I’ve ever seen.
But wait! Maybe, I’m seeing it all wrong. Maybe it is actually a campy comedy! It has all the earmarks of one -- utterly lame, complete with cheesy special effects -- everything was very pre-Star Wars, maybe even pre-Star Trek. The dialog was certainly lame, the jokes, even lamer. The writing in general was pretty much cut and paste from other sf shows, without even bothering to make any sense of it. It is hard to see, in the finished product, that anyone cared about it at all. Certainly not the writers, nor the showrunners, the producers, or the network. Maybe the actors did, though they played like a camp comedy. But then again, aren't camp comedies shows that tried, and failed miserably, to be taken seriously. They ain’t even trying in this one.
The first two episodes are free on Youtube. Be sure and let me know if I’m wrong.

Monday, April 6, 2020

Sailing to Redoubt is now (not) FREE on Amazon


I'm happy to report that Amazon has honored my request to price match other ebook stores and has reduced the price of Sailing to Redoubt to FREE once again. Thank you, Amazon. They had been offering it for free until several months ago. It is their choice, and I decided not to kick when they dropped price matching. I wanted to see how many copies I would sell at $.99. The short answer is not many, but some... Thanks to all that purchased it!


UPDATE: Today, 8 April 2020, I noticed that Amazon, after returning Sailing to Redoubt to FREE, took Some Day Days off of price matching, so it is now at its "list price" of $5.50. My list price is basically my answer to people who equate price with quality, especially those who also self-publish, and price their books at indie ebook prices. Does that mean that their books are 1/3 to 1/10th as good as traditionally published books? Anyway, I'm happy that Amazon chose Some Day Days to offer at list price, as I usually give away only a few of those on Amazon each month. (It actually does a lot better on Smashwords, for some reason.) It is my earliest writings, of my published works, and while I am rather fond of it, I recognize that it has its flaws, not the least of which is that I imagined another three dozen "pieces" to complete the romance that were never written down, and never will be.

UPDATE: As of mid-May 2020 Amazon is not current price matching the free price of Sailing to Redoubt elsewhere. I have raised the price to my "list price" of $8.50, in the hope that it will spur Amazon to price match again. But it is up to them. (The did rather quickly drop Some Day Days back to free, so we'll see.


Sunday, April 5, 2020

The Prisoner of Cimlye is now (not) FREE on Amazon


I'm happy to report that, after sending the links to the other ebook sites which listed The Prisoner of Cimlye as a free book, Amazon kindly reduced the price of their version to free as well. Much appreciated. However, I also sent them links showing that Sailing to Redoubt was free as well, and of this writing they haven't reduced its price to free. Still, one mustn't look gift horses in the mouth. $.99 is a modest price, and for that you can pick up both books in the series -- 150K words of adventure and romance. A bargain. UPDATE: Now as of 6 April 2020 Sailing to Redoubt is also FREE on Amazon. Thanks, Amazon!

NOTE: They have since changed their mind, so it is back to $.99 Oh well, I guess I'll just have to resign myself to getting rich.


Thursday, April 2, 2020

The Prisoner of Cimlye is Now Available!


I am happy to announce that the sequel/epilogue to Sailing to Redoubt, The Prisoner of Cimlye has been released via Smashwords, Google Play, and Amazon on 2 April 2020. My kind beta readers returned their corrections very promptly and everything else went along without a hitch, so I was able to release this book well before the time frame I had originally envisioned.

The Prisoner of Cimlye ebook verion is priced at FREE on Smashwords (Apple, Kobo, & B & N), and Google Play. It is currently priced at $.99 on Amazon. We'll see if they will price match the FREE price once all the other editions are up and can be linked to. I will update this post if they do.

The trade paperback version will also be available for $9.00 from Amazon and other booksellers.

As for the story told in The Prisoner of Cimlye:

The best laid plans “gang aft agley” as Robert Burns noted.

As did the hopes of Sella, Lessie, the Meys, and Taef Lang.

The Prisoner of Cimlye, a novel of some 54,000 words, is the sequel to Sailing to Redoubt. It takes up the story of Sella, Lessie, and Taef six months after the end of that first Tropic Sea novel, and ties up many of the loose ends left dangling at the close of that story.

For instance, was Lieutenant Taef Lang able to convince his commanding officer that duty required him to spend several months sailing the Tropic Sea in a 12 meter yacht with two beautiful girls – the delightful Sella and her twin sister, the less than delightful Lessie? And what did that powerful premonition Taef felt when the dour Lessie shyly waved goodbye to him foreshadow? And, of course, how did the governments of the three continents of the world react to the message that they carried back from Redoubt Island? Indeed, were Sella and Lessie able to convince their angry Grandfather to forgive them for so often making a fool of him, and welcome the new age that that message promised?

The answers to these and many other questions and mysteries can be found in the pages of The Prisoner of Cimlye, A Romance of the Tropic Sea. 

I would like to thank my proof and beta readers for their work in making this book possible; Sally Litka, Hannes Bimbacher, Dale Shamp, Joe Saur, and Walt. Thank you, I appreciate all that you have contributed to making this book the best that it can be.


Friday, March 27, 2020

Sketch Map for The Prisoner of Cimlye

The view from Seaview House

I avoid putting maps in my ebook editions for several reasons. The first is that I don't know how they will display on both tablets and ebook readers.  And second, and perhaps more importantly, unlike a book where you can just flip back to the front of it to glace at the map, when needed, it seems a lot more work to do that on an ebook reader or tablet. I'm certain it is possible, and perhaps easy for readers adept at ebook readers, but well, I just prefer posting my maps here on blog, which can then be downloaded and printed out, if you, dear reader, wants them at hand.

Below is the rather simple map necessary for The Prisoner of Cimlye. It is just a detail from the larger maps of the Tropic Sea found in Sailing to Redoubt and here on my blog:
https://clitkabooks.blogspot.com/2019/03/maps-for-sailing-to-redoubt.html

Sketch Chart for The Prisoner of Cimlye


Monday, March 23, 2020

The Prisoner of Cimlye - Coming Soon!


The Prisoner of Cimlye

C. Litka


The best laid plans “gang aft agley” as Robert Burns noted.

As did the hopes of Sella, Lessie, the Meys, and Taef Lang.

The Prisoner of Cimlye, a novel of some 54,000 words, is the sequel to Sailing to Redoubt. It takes up the story of Sella, Lessie, and Taef six months after the end of that first Tropic Sea novel, and ties up many of the loose ends left dangling at the close of that story.

For instance, was Lieutenant Taef Lang able to convince his commanding officer that duty required him to spend several months sailing the Tropic Sea in a 12 meter yacht with two beautiful girls – the delightful Sella and her twin sister, the less than delightful Lessie? And what did that powerful premonition Taef felt when the dour Lessie shyly waved goodbye to him foreshadow? And, of course, how did the governments of the three continents of the world react to the message that they carried back from Redoubt Island? Indeed, were Sella and Lessie able to convince their angry Grandfather to forgive them for so often making a fool of him, and welcome the new age that that message promised?

The answers to these and many other questions and mysteries can be found in the pages of The Prisoner of Cimlye, A Romance of the Tropic Sea.

C. Litka writes old fashioned novels with modern sensibilities, humor, and romance. He spins tales of adventure, mystery, and travel set in richly imagined worlds, featuring casts of colorful, fully realized characters. If you seek to escape your everyday life for a few hours, you will not find better company, nor more wonderful worlds to travel and explore, than in the novels of C. Litka.


Look for the release of The Prisoner of Cimlye in mid to late April 2020, exact date to be determined. The ebook version will be free*, as always!

*Except, perhaps on Amazon. $.99 if they choose not to price match their competitors