The Girl on the Kerb Experiment

 

Six months ago I released my 2023 novel, The Girl on the Kerb. Until this book all my books had been released as either science fiction or fantasy. I used SF mostly as a setting for the story. By doing so, it allowed me the ability to write the story I wanted, as I wanted it, without somehow shoehorning it into a known time and place. Even though my stories were set in the future, many of the settings I chose to use have been reminiscent of life in the first half of the 1900's. I seem partial to that historical period, perhaps having read a lot of stories set in that time period. The Girl on the Kerb was no exception. Though set in the far distant future, the society was reminiscent of the 1930's, with radio, newspapers, trains and cars, but no cell phones, internet, and personal computers. This being the case, I decided to release the book based not on its setting in the far future, i.e. as SF, but on the major plot element of the story, which is to say, as an espionage novel. 

There were both pluses and minuses in doing this. Let's look at them.

On the plus side, I was pretty sure that my regular readers would find the book no matter what category I released it in, so that I did not expect to lose many, if any, regular fans. On the other hand, by releasing the book in a new genre, I could potentially reach new readers. And some of these readers might go on to read more of my other books.

In the minus column there were several points to consider related to these potential new readers. Espionage is not a standalone classification. It falls under the "Thriller" classification, i.e. Thriller/espionage, and Thriller/adventure. I hadn't written a thriller in The Girl on the Kerb unless there is a "cozy thriller" sub-genre. This meant that hardcore thriller readers were not going to find many of the things they usually look for in a thriller; violence, guns, death, sex, and high stakes. In addition they would be on unfamiliar ground, since the story was not set the familiar modern world but in the future. The question was/is how would they react to these twists in the genre? There seemed a good chance that I could annoy at least some of the regular readers of the genre and risk being hit with low ratings as a result. I decided to take that risk.

So how has it gone, after six months?

First off, it enjoyed some very unexpected sales. I can't definitely assign this result to releasing it as an espionage novel, it is probably serendipitous, but I never sold so many books in the first month as I did with The Girl on the Kerb. I released it as I usually do; free everywhere except on Amazon, where I priced it at $3.99. I had the ebook up on preorder for a month, and sold 17 copies at that price in the first week, which was very good for a book of mine. However, within a week Amazon caught wind of the free price elsewhere and decided to match the free price. This was fine with me. I used to let them know about my free prices elsewhere just to get them to do that, but I don't bother any more. Anyway, the switch to free resulted in the sale of several hundred books in a couple of days, which, in turn, seems to have caught the attention of Amazon's promotional algorisms and they must have promoted it somewhere, somehow. It ended up selling 2,610 free copies on Amazon in April. Sales tapered off after that, of course, with monthly sales of 165, 193, 76, 108, only to spike again in September with 864 free copies and 2 at full price (i.e. non-US sales). Which means that in its first six months, I've sold a total of 4,035 copies on Amazon and the book has remained on the upper half of Amazons top 100 free thrillers in its categories ever since release. All told, I've sold over 4,600 copies to date. My usual releases may sell around 1,000 in their first year, at best. Did this have anything to do with its release category? Somehow, someway, I think it does, but I can't prove it.

So then, have  all those sales led to an increase the sales of my other books? 

Just eyeballing my sales on Amazon in the months prior to April and afterwards, I would say no, they stayed pretty much in the range they had been prior to the book's release. However, since ratings are only now coming in at an increased rate, any effect on the sales of my other books may still be a ways in the future. We'll see.

As to my fears, how did thriller readers react to the The Girl on the Kerb? 

First off, perhaps due to the number of sales, it has received far more ratings in the first six months than any other book of mine. It has about 80 rating at this point, all told, but only three reviews, with only one on Amazon. Currently its star rating is 4, plus or minus a decimal point depending on the source. While I can't complain, it is a tad lower than my usual books. The lower rating is due to it having 5 or 6 one star ratings, as well as a similar number of 2 star ratings, which are significantly more than what my books usually garner, especially in the first six months. Plus, its 5 star ratings are less than the 50% level that I would like to see. Of course there is the "and/or" possibility that the book simply isn't as good as my other stories, but that is something that I can't say one way or the other. Still, I'm thinking that I did annoy some readers and that the lower score is a result of some pushback from regular thriller readers. You have to take the rough with the smooth.

Will I do it again?

Yes. Any book I write in the future (birds in the bush) that is not connected to any of my published SF titles will not be sold as SF, even though they will also be set in the future and likely on another world, as usual. One small reason for this is because I'm so over SF. I'm no longer count myself a SF fan. However, given the results of The Girl on the Kerb, I see no reason not to categorize the story by story type rather than setting, and I think that I have a good reason for doing so with any future book. Trying new things in publishing is almost a requirement, unless you're minting money. I'm not.

So what might be my next non-SF book? Stay tuned for a glimpse of that bird in the bush next week.

My Top 10 Favorite SF Books of All Time

I recently watched a Media Death Cult video on the viewers' favorite books and I have to admit that haven’t read more than one or two of them. Still it got me to thinking about my favorite books of all time. So I racked my memory to come up with a list of my ten favorite SF books. This proved to be rather hard since I've forgotten 97% of them. On the flip side, it means that if I do remember them, and remember really enjoying them -- they're a candidate for the list.

Before I begin, I should note that “all time” is the trick words here. What I’ve done is try to recall what were my favorite books during my nearly sixty years of reading SF, in one era or another. They are not necessarily my favorite SF books today. Indeed, most of them would not even being the running today, since my tastes have evolved over my lifetime. Still, at one time, they were my favorite books and I still recall them fondly because of that.

All but two of the books come from my early years of reading SF in the 1960’s and early 1970’s when I was reading  50 to 100 books a year. This means that most of the books are classic SF. I'm not going to list them in any order, and I’ll save my recent favorite books for last. 

1. Starman Jones, Robert A Heinlein. This is my favorite of Heinlein book. Farm boy with a photographic memory inherits an astro-navigator's books and saves the day when the ship he is serving on gets lost. Or something like that. I think it is my favorite Heinlein because I liked his juveniles the best and this one has just a hint of romance in it that was quickly shut down. Heinlein didn’t do romance in his juveniles. The fact that I can still remember the basic plot of the story is telling since, I can’t say that for most of his juveniles. I reread it in my early 20’s and was surprised at how much of what I remembered wasn’t actually in the book. A testimonial to how much a young reader’s imagination adds to a story. Back in our day, at least, we spend our days making up stories while playing, and this skill lingered on into adolescence. From my records of the period, I can say that I rated it “E” for excellent together with Space Cadet, a book that I have no recollection of.

Credit:  http://www.isfdb.org/cgi-bin/pl.cgi?258176, Fair use, https://en.wikipedia.org/w/index.php?curid=48787509

2. The Star Conquers, Ben Bova. This book is a military SF, story with space battles, and an appealing young hero. Reading the Wikipedia description doesn’t bring back the story for me. I loaned this book to a friend 30 years ago to read to his son, and every time I see him he offers to return it, but since I know I'll not read it again, I tell him to keep it. Still it was a favorite of both of ours. I seem to recall that the sequel, Star Watchman wasn’t as good. I guess he wrote two more in the series years later. Who knew? I rated it a “E” back then.

3. Galactic Patrol, E E Smith. The best book, by far, of the Lensmen series. A space opera on a vast scale. I haven’t reread it, and would likely find it too grand and nonsensical for my tastes these days. I made a galactic wargame board game out of it, at the time. Still, its another “E” book in ‘65.

4.Ossian’s Ride, Fred Hoyle. An adventure set in Ireland. A recent graduate is recruited by British secret service as an amateur agent and sent to Ireland to discover the secret of a wildly successful company with amazing technology. It has a lot of hiking around Ireland, and, in a way, foreshadows my appreciation of the books like John Buchan’s 39 Steps which had his hero tramping around Scotland. I recently reread this book for the third time at least, and, indeed, I still enjoyed it. I first read it in 1966, but I wasn’t rating books that year, it seems.

5. Highways in Hiding, George O Smith. To begin with, the version I have has a wonderfully evocative cover by Roy G Krenkel, The story is a mystery story that centers around two opposing secret organization dealing with a deadly disease brought back from space. Road signs are modified by one group to lead people in the know to contact agents. This is another book of travel, thought this time it was road trips around the pre-interstate US. At the time there seemed something romantic about getting into a car and taking to the open roads which appealed to me back in the day. These days, an hour in a car is about all I can take. No contemporary rating for this book either.

6. Sands of Mars, Arthur C Clarke. I count this as the first adult SF novel I read. How could you not like a book about Mars – a Mars still unexplored by remote spacecraft when I read it. A Mars that anything could go? The hero was a middle aged SF writer visiting Mars that he wrote SF books about early in his career, which seems a strange hero for a young teen. Indeed I find in my records of the time that in 1965 I rated it only a “B” so I guess its memory must’ve aged well. The thing is that I remember it when 97% of the books from that period I have no recollection of at all, That must mean something. Plus, I know I reread it. On the other hand, another Clarke book, Dolphin Island I rated an “E” though I believe it was a juvenile. In any event, I have no recollection of the story.

7. A Princess of Mars, Edgar Rice Burroughs. One of my perennial favorites. But even with so much to love about it, there's still so much I wish was better – bigger, fuller, with deeper characters. I’ve reread this book probably four or five times. I read it to the kids at bedtime. In 1971 I rated it ***½, which is a little above average. But like Sands of Mars, it seems to has aged well, and I now consider it the best of ERB's books. Contrast that with his Venus series that I rated “E” back in ‘65, but never have had any interest in rereading. The first three books of Barsoom are one of my favorites for all their flaws.

8. The Witches of Karres, James H Schmitz. I’ve read this book several times -- indeed, after pulling it out of the bookshelf for this post, I'm rereading and enjoying it once again. I’m a sucker for stories set on spaceship, and worm weather was such a cool idea. So cool, in fact, that I sort of borrowed it for an episode in my Bright Black Sea. I must have acquired the book prior to 1968 as it is on my inventory for that year, but I have no record of when I read it or my original rating.

The last two entries on this list are recent books (relatively speaking) and are still very much in favor.

9.Johannes Cabal The Detective, Jonathan L Howard. This is one of my current favorite books. In fact, I just reread it. It is the second book in a series of five featuring the necromance Johannes Cabal, and is my favorite of the series, perhaps because it is a take on an old fashioned detective story and set in a mythical Balkan country, like A Prisoner of Zenda. Howard is one of those British authors with a clever, witty style that I really enjoy reading in my old age. Each book in the series is a little different, with a nod to Lovecraft, plus werewolves, vampires, and the devil himself. Normally these types of stories would not be my cup of tea, but his writing draws me in.

10, Shades of Grey, Jasper Fforde. This is my all time favorite speculative fiction book. In part because of Fforde's writing – cleaver, witty, endlessly imaginative, all of which plays a large part in my enjoyment of the story. It can be read as satire or absurd fiction, which again wouldn’t be my cup of tea, but not only is the writing wonderful, but he still manages to make the narrator and other characters seem like real people in a very unusual world where there is a strict cast system based on the color that they can see. I’ve read this book maybe four times – and will pick it up and read it again. I guess it’s my “comfort read.” Unfortunately its sales did not justify continuing on with the planned trilogy so that, Painting by Numbers, and The Gordini Protocols were never written, leaving so many mysteries left mysteries. The only bright side is that it did not give Fforde the chance to screw it up. I’ve read almost all of his adult novels and while the last two novels written after Shades of Grey were witty and endlessly imaginative, I couldn’t help wishing I was reading the last two books of the series. Life can be cruel.

So those are my nine favorite books. However, as a bonus, while looking up my old ratings for these books in my papers from the era, I found my top 22 book list from the mid-1960's. Heinlein dominated it.

1 Starman Jones – Heinlein

2 Star Conquers – Bova

3 Tunnel in the Sky & The Stars are Ours! – Heinlein & Norton

4 Sixth Column – Heinlein

5 Galactic Patrol – EE Smith

6 Space Cadet & Farmer in the Sky – Heinlein

7 Dolphin Island & Islands in the Sky – Clarke

8 Time Traders – Norton

9 Crossroad of Time & Citizen of the Galaxy – Norton & Heinlein

10 Outside the Universe & Raiders from the Rings – Hamilton and Nourse

11 Sargasso of Space & Plague Ship – Norton

12 Space Viking – Piper

13 The Star Kings – Hamilton

14 Revolt on Alpha C – Silverberg

15 Robot Rocket – Rockwell

16 Venus Series – Burroughs

Reading Beyond SF

 

In a number of my previous posts I recounted some of the reasons how I have managed not to read so many of the classic speculative fiction novels. There is, however, one more reason, and that is that my reading of SF fell by the wayside; I graduated from college and set out to make a living in the real world.

I simply no longer had the time or easy access to bookstores both new & used. Early on I had several jobs and moved about for a time, acquiring a wife and then children. We ended up in a small town with the major mall bookstores an hour away. In those olden days before the internet, I would only come across new SF books on the shelves of our local small town library or on those of a larger, small city library ten miles away. And by that time many of the authors were new and unfamiliar, plus, I still had to watch my pennies so I didn't buy books on a whim -- new mass market paperbacks were no longer fifty cents. Looking at my SF shelves, I don’t think I bought even one new SF book in the 1980’s.

However, I did not stop reading. Rather my interests expanded into other genres.

For some years I was into old mysteries, including Dorothy L Sayers’s Peter Wimsey novels, Georges Simenon’s Inspector Maigret, Earl Derr Biggers’ Charlie Chan, John Mortimer’s Rumpole of the Bailey, Robert van Gulik’s Judge Dee, and a host of other old mysteries.

And then I discovered the adventure stories from the Victorian period up to the first half of the last century. They ranged from Anthony Hope’s The Prison of Zenda, to H Rider Haggard’s African tales, to John Buchan’s Richard Hannay stories, and all his rest as well. I tracked down to read many of Compton Mackenzie’s humorous Scottish stories including Monarch of the Glen, Whiskey Galore, and the like.

I’ve already talked about the sea stories of Guy Gilpatric, W Clark Russell, and C J Cutcliffe Hyne that I loved.

And them, there were all the odd little byways that interested me. For example, I enjoyed all of Miss Read’s (Mrs Dora Saint) stories I could find about life in the village of Fairacre and other small English towns. I also read a number of Scottish author D E Stevenson’s “light romantic novels” as well. I’d pick up any Nevil Shute book I’d run across. I have four of Jean Shepherd’s (In God We Trust, All Others Pay Cash) books. I own and have read a number of Booth Tarkington novels. And I’ve already mentioned my large collection of Joseph Lincoln novels. In short, I found that life was too short to spend reading just SF.

While I did buy some  new books, more and more of the books I picked up were second hand books. While on vacation I would seek out second hand bookstores to explore. However, the highlight of my book buying year was  the great, but late, Bethesda Fair. Bethesda was a local charity that each September would stage a giant rummage sale that filled up all the buildings of  the fairgrounds with a treasure trove of junk for a week. I'd be at the doors of the book building on the first day waiting for the sales to begin. I bought many’a book at the Bethesda Fair. Most were not SF.

Still, I always considered myself a science fiction fan. Almost everything I ever attempted to write was science fiction. 

However, when looking back over all the books that I’ve read and enjoyed over the years, there is no mystery as to why my books are written in a very old fashioned style of story telling. I learned to write by reading. And my reading informed my writing.

Is Professional Editing Worth It In Self-Publishing? A Case Study

Cover for Gideon Marcus's book Kitra via Goodreads

Last week, I argued that professional editors were not necessary for self-publishing authors. I feel that the fate of the story has largely been decided before it would ever get to an editor. To produce a commercially viable book these days, it must be targeted at a commercially viable readership, delivering the tropes, the story beats, the cover, and the blurb that those readers expect. No amount of editing will sell a story by someone who doesn’t know how to write, nor a well written story, if the writer has not done their research and/or lacks the resources and/or know-how to market their book.

This week I’m going to use Marcus Gideon’s YA science fiction book Kitra as an example of my premise. As I said last week, he drew the short straw because I recently read his forceful advocate of professional editing, has published a book, and has shared some sales results that will allow us to examine the proposition.

So to start, here is Marcus’ “get an editor” pitch:

“I’ve written thousands and thousands of pieces in my life. I compose almost as effortlessly as breathing.

I always have an editor go over my work. Sometimes several editors. You should too.

Here’s why:

When you have an audience of one, you know exactly where your characters are, their motivations, their traits. You’ve got a clear idea of the universe. You know what you’re trying to say. Until someone else reviews what you’ve written, you don’t know if “someone else” knows what you’re trying to say.

So for anything you want to publish, and especially stuff you expect to get paid for, you need an editor. And not just any editor. You need, at the very least, an experienced writer to bounce your ideas off of. Otherwise, the best you’ll get out of them is a vague, “I liked it!” or a “It needs something, but I don’t know what.”

It may be tough finding the editor that works for you, someone who 1) you can work with, 2) offers good advice, and 3) is affordable. I’m still reeling from the loss of one of my favorite editors, who is coping with a chronic illness. But when you find the right editor, your work will ascend to the next level.

Finding the experienced editor (or several) is the first hurdle. The second is your ego.

No one likes to be told that their magnum opus doesn’t work. No one likes to spend months pouring themselves onto a page only to have to rewrite the whole damned thing.

Let me tell you something: when starting out, you will spend more of your life in editing than writing. If that bugs you, you’re in the wrong business.

Sure, eventually you’ll get good enough that you can work out a lot of your bugs prior to the editing process, but that first book? It’ll go through the wringer.

Kitra, for example, essentially went through four drafts until it was good enough for the public. It’s doing pretty well. Folks like it. If I’d released any of the earlier drafts?

Three sales on Amazon.”

He offers some valid points. Every writer would likely benefit from some sort of feedback on their story. It should be proofread. But does it need a "developmental editor" to go through and fine tune the story similar to the process in traditional publishing? And is it worth the money?

Marcus Gideon is a professionally published writer. He is the proprietor of the website Galactic Journey, and the small publishing house, Journey Press. The quote comes from a blog entry entitled “Time in Service” on the Journey Press blog section. You can find the complete blog post here: Journey Press Blog

Strictly speaking, Marcus is not a self-publishing author, but the founder of a small press that published the works of others, besides himself. His SF anthology Rediscovery features stories by women SF writers from the 1950’s & 60’s. Marcus is well known in SF circles, and the subject matter of this book generated a lot of free publicity upon its release in SF circles. Much more than any self-published author, no matter how popular on Amazon, could expect with any new release of their own. In addition to publishing Kitre, he has also reissued a 1964 B-side ACE double story by Tom Purdom, I Want the Stars. For some reason. He has spent the last year or more building up a network of some 500 independent bookstores that offer his books. And owning a website that is visited thousands of times a month which he uses to promote his books, I think it is safe say that he’s pretty solid on both the distribution channel and publicity side of selling books. So with those very important ducks in order, you would think that the sky’s the limit for his professionally edited debut novel. But, ah… not so much.

As it turns out, the YA non-dystopian, non-post apocalyptic science fiction market is not a vibrant market, according to Alexa Donne, who should know. She has had two YA non-dystopian, non-post apocalyptic science fiction novels traditionally published, and knows the YA market backwards and forwards. She offers weekly videos on that market on Youtube which you can find here: Alexa Donne Videos In several of them she has talked about her experiences as a YA non-dystopian, non-post apocalyptic science fiction writer. From what I could gather, a runaway best seller in that market would be a disappointing release for a YA fantasy book. Fantasy sells, while non-dystopian, non-post apocalyptic science fiction books are lucky to sell a couple thousand copies. Whether this is because there is no interest in them in the YA audience, or because traditional publishers don’t know how to promote them she feels is an open question. But the fact is that the ceiling is low for the type of SF story that Kitra represents. And Marcus seems to have been aware of this, since he writes; “Let’s face it — YA is often associated with dystopia, grim stories where the evil Queen or the fascist government is the big bad. Kitra is a hopeful story, one in which teamwork and perseverance see the characters through. There’s a hunger for these kinds of stories now.” That last line strikes me more as wishful thinking that market research. In any event, his sales so far fail to justify that optimism.

Kitra was release in April 2020, at the start of the pandemic. Prior to the pandemic, he reports that his company was selling around 200 books a month – which would be the Rediscovery title with its significant free publicity. During the pandemic, sales have dropped to around 70 copies a month, split between the three titles. Much of that decline, can certainly be blamed on the pandemic. Still...

Both versions of Kitra are offered on Amazon. The ebook version on Amazon’s bestseller list is ranked in the 1.5 millions when I looked it up for this post. That translates to a copy every month or so. Trust me, I know that from experience. The paperback version is in the 2 millions, so it has sold a non-zero number of copies on Amazon. These are in line with the results you could expect from a debut novel without an Amazon focused advertising budget.

On Amazon, Kitra has garnered six reviews from actual purchasers of the book, four 5 star, two 4 star reviews in eight month. It has a total of 22 rating/reviews, but the other reviews likely come from free copies of the story given in exchange for reviews. This technique is common in the trade to spur sales with lots of reviews upon release. However, there are too many incentives for all parties in the system to favor good reviews, so I don’t consider them completely valid. It also has 31 ratings on Goodreads, with 26 reviews for an average of 4.06 stars, again with at least half the reviews coming from free copies, plus Marcus Gideon’s own 5 star rating.

So the book is well received. I’ll leave credit for how that is divided up between the author and editor to them. However, even with good reviews, I think it would be hard to make the case that its professional editing has done much for sales. Certainly not enough to overcome the handicap of writing a book for a small, low demand market.

All of this is not to say that Kitra is a failure. It is a modest success to date, and has many years to earn out its cost. And, with future sequels, it may do… Okay. Sequels can stir interest in the previous volumes, but they inevitably sell less with each sequel.

However, if you’re in the business of writing and publishing stories to make folding money, I think it is fair to judge a book as a product and a product by the money it earns. As a product, Kitra, with all its editing, does not seem like a product with much promise by that metric. Not because it is poorly written or edited, but because there’s relatively little demand for this type of story. The publishing business, self-publishing or otherwise, is a very competitive business, and I don’t think anyone is going to succeed at making money in it, if one doesn’t shot for the stars. And that means identify and mastering a potentially lucrative market, and writing to it.

So I say, first know your audience, and then trust your talent. Critique partners, and beta readers can offer much of the feedback an editor would provide. If you have money to spend, spend it on a good, proofreader and a cover artist. 

Five and One Half Years in Self Publishing

 

Time flies, and so, once again, it’s time to report my May 2020 through October 2020 results.

I release two new stories in the last six months. The first was Lines in the Lawn, an illustrated children’s short story via Smashwords only. It was something I had laying around for a decade and I decided to get it out. The second new release was a novella, Keiree. Currently it is a stand alone story, but I hope to build on it, to eventually roll it into a novel.

Sales Numbers

As usual, almost all of the sales are free ebooks sold through Amazon, Smashwords, Apple, B & N, and Google. My books are also available on Kobo but they do not report free sales to Smashwords, plus some are also listed on other sites that offer free books as well.

Book Title / Release Date	1H 2020 Sales	Total Sale To date
A Summer in Amber 23 April 2015	371	7,589
Some Day Days 9 July 2015	163	4,016
The Bright Black Sea 17 Sept 2015	542	13,036
Castaways of the Lost Star 4 Aug 2016	Withdrawn	2,176
The Lost Star’s Sea 13 July 2017	440	6,423
Beneath the Lanterns 13 Sept 2018	253	2,493
Sailing to Redoubt 15 March 2019	221	1,825
Prisoner of Cimlye 2 April 2020	240	485
Lines in the Lawn* 8 June 2020	55	55
Keiree* 18 Sept 2020	174	174
Total Six Month Sales * New releases.	2,219	38,275

For comparison sake, for the same time period last year I sold 4,590 books, without the last three books on this chart. So last year I sold a little over twice as many books last year as I did this year. Last year, however, was unexpectedly, my best year ever.

For this time period my sales split between Amazon, Google, and Smashwords (including sales on Apple and B & N) works out like this:

Amazon 35%

Smashwords (Apple & B & N) 39%

Google 26%

Last year, 1 Nov 2019 the breakdown was,

Amazon 39%

Smashwords 52%

Google 9%

If we look at sales this past month, October 2020, the split looks like this:

Amazon (15%)

Smashwords (54%)

Google (31%)

The numbers show that my Amazon sales are fading. Smashwords is, more or less holding steady (though half of what it was in 2019), but Google has come through to pick up some of the slack. My goal is to sell at least 300 books a month, as so far I’m clearing that bar, though it takes more books in my catalog to do so.

Back in May, in my 5^th annual report, I wrote that I did not expect 2020 to be a banner year. Indeed, I had not expected 2019 to be a banner year either, but it turned out to be one. However, this time around, it’s looking like I’ll be right. The first half hasn’t been terrible, but it is definitely off last year’s pace.

Headwinds

As I see it, there are two things outside of my control that are weighing on my sales. The first is that it seems that Amazon no longer feels the need to match prices. While my older books are still free, my newer books are not. I’ve made the usual efforts to get them to match the free price of the other ebook stores, but even if successful, that only lasts for a couple of weeks before they’re back to full price.

Now, $.99 is a cheap price, and I do sell some at that price, but free sells much better. Unfortunately, Amazon accounts for something like 70% or more of the ebook market, so this new policy bites into my sales.

The second drag on my sales is the way that the ebook market has evolved. Five years ago, ebook advocates were talking about how ebooks would come to dominate the market for books, making paper books extinct. This is clearly not the case now, nor will it be for the foreseeable future. Ebooks have evolved to dominate some types of genre fiction, like romance, and SFF, which were formally served by pulp magazines, mass market paperbacks, and libraries. And in those categories they cater to to a very special type of reader, the avid reader. These readers want and expect books to reliably deliver what they expect them to deliver, like the fans of Big Macs, which are expected to taste the same no matter where you consume it. Ebooks are, in short, have become the fast food of books.

This is, of course, a legitimate market. And nice work, if you can get it. But it takes more than books to get in it. These days it takes thousands of dollars of advertising, and a large, established readership that an indie-publisher can bet those thousands of dollars of advertising on. Pay to play, as they say. Just as with Etsy, where the local handmade goods market evolved into handmade goods from the sweatshops of China, the author self-publisher has evolved in a similar way. Today, the best selling books are produced by the entrepreneur publisher who either works 16 hours a day to write, manage advertising on a daily basis, hire editors, cover artists, and manage the business in general. Or they may simply be publishers who hire others to do all these tasks, including writing, in order to produce a dependable stream of, good-enough Big Mac type books to feed their customers in the Kindle Unlimited all-you-can-read buffet.

I have no desire to be on that treadmill. Better them than me, is pretty much my attitude. But the downside of this evolution is that unless a writer is producing and spending big money promoting their Big Mac books, the market is for ebooks is deceptively shallow these days. I’m lucky to have gotten into self publishing when I did, as I doubt that I’d be able to give away 38,000 books in five and half years on a zero advertising budget if I was starting today. My initial experiment was to see if I could use free books to build an audience and a presence large enough that I could some day, if I cared to, charge money for my books. I have to say that, given the way the market has evolved, the answer seems to be no. Fortunately for me, it was an academic experiment, so I can’t, and am not complaining.

Looking Ahead

I will be releasing my next novel, a cozy SF mystery/adventure, The Secret of the Tzaritsa Moon, either this month or in early December. I’m planning on starting a second cozy SF mystery/adventure with the same characters this month, with a target release date of late February or early March. I may decide to release Lines in the Lawn on Amazon. And I have another small project of short-short stories and cartoons dealing with robots that I might work on at some point as well in the next six months. I’ve got nothing better to do these days than write, so as long as I have ideas, I’ll be writing, if not selling a ton of books.

My Martian Novella, Keiree, Is Now Available Wherever Fine Ebooks Are Sold

 

It almost seems as if every writer of speculative fiction pens at least one Mars story. I suspect that one of the reasons Mars stories are so popular with authors is that to be even considered for membership in the Fraternal Order of the Aether, a writer must submit a Mars story to the committee. It’s in their bylaws. So… Keiree is my Mars story.

Keiree is the story of the brilliant and wealthy engineer, Keiree Tulla, her chauffeur and love, Gy Mons… (Ssh! I’m getting to you.) ...and the silka cat, Molly. Deciding to escape scandal and start a new life on the distant planet of Fara V, they sign on as expedition crew members. Keiree as the director of the initial construction section and Gy, along with Molly, as a pilot with the advanced survey team. Upon completing their training, they were put in stasis pods to “sleep” away the centuries long voyage to Fara V. and stored on Mars awaiting their scheduled time to be uploaded to the vast settlement ship in orbit.

The expedition never sailed. After they were put in their stasis pods, but before they were uploaded to the settlement ship, a deadly plague swept through the solar system, laying waste to its planets and moons. Mars was not spared. Gy and Molly’s storage facility was quickly abandoned and then forgotten for seven hundred Martian years. When it was finally rediscovered, and Gy and Molly revived, they find that Keiree’s section had been stored elsewhere on Mars. Gy and Molly set out to find her so they can face a familiar, and yet strange, Mars together.

Keiree takes place in the far future, after Mars having been extensively terraformed into an Earth-like world, but with its own unique quirks. The story is set in the fictional universe that includes The Bright Black Sea, The Last Star’s Sea, Beneath the Lanterns, Sailing to Redoubt and The Prisoner of Cimlye.

C. Litka writes old fashioned stories with modern sensibilities, humor, and romance. He spins tales of adventure, mystery, and travel set in richly imagined worlds, with casts of colorful, fully realized characters. If you seek to escape your everyday life, you will not find better company, nor more wonderful worlds to travel and explore, than in the stories of C. Litka.

Amazon.com ($.99) https://www.amazon.com/gp/product/B08HH1LRCM/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0

Smashwords (Free)

https://www.smashwords.com/books/view/1043745

Kobo (Free)

https://www.kobo.com/us/en/ebook/keiree

Barnes & Noble (Free)

https://www.barnesandnoble.com/w/keiree-c-litka/1137698563?ean=2940164253103

Google Play (Free)

https://play.google.com/store/books/details?id=igX-DwAAQBAJ

It is also available for free in the Apple Book App

Thoughts on The Calculating Stars

image credit: https://www.tor.com/2017/09/14/cover-reveals-mary-robinette-kowal-lady-astronaut-books/

This is another entry in my series of remarks and observations directed at the clouds – which is to say, an opinion piece.

Having joined the Tor.com ebook club, I am occasionally offered a free ebook, usually titles that they are using to promote the release of a new sequel and such. The Murderbot novellas were such books, as were a number of mostly fantasy novels and novellas, which I sampled, and did not get past the first page, or chapter. The most recent free book is The Calculating Stars, by Mary Robinette Kowal. Kowal’s novel winner of the 2018 Nebula Award for Best Novel, the 2019 Locus Award for Best Novel, the 2019 Hugo Award for Best Novel, and the 2019 Campbell Memorial Award. Since the price was right, the book is speculative fiction rather than fantasy, and very highly regarded, I eagerly downloaded my ebook copy and dived into it.

The book is an alternative history of the American space program of the 1960’s. In this story, an asteroid strikes the east coast in 1952, triggering an extinction event. An accelerated space program is launched that echoes the actual 1960’s program, but with the aim of establishing colonies on the Moon and Mars before the earth becomes uninhabitable. Its premise is a classic speculative fiction story. Fred Hoyle’s The Black Cloud coming immediately to my mind.

It did not, however, click with me. I found myself, at the halfway point, skimming through the book in the hopes of just getting it done. Not good. Realizing this, I called it a day. I’m not one who feels obliged to finish a book I don’t care for. After giving The Calculating Stars half a book to hook me, I couldn’t find a reason to continue.

Having read only half the book, I can’t really review it. But I will share my thoughts about the first half, just between you, me, and the clouds.

In many ways, The Calculating Stars should’ve clicked with me. I prefer first person narratives. The story is one. I prefer smaller stories. The first half of the story, anyway, is not grandiose. I like to spend my reading time with pleasant characters. The supporting characters are, for the most part, likable, though I confess to having lost track of them, given the very episodic nature of the story structure. Given that my stories are episodic in nature, that too, should not have been a problem. So it had a lot of things going for it. But…

Thinking about it, I think there are two aspects of The Calculating Stars that failed to click with me – the narrator and the premise.

I’ll start with the narrator, Elma York. She was born in Charleston SC in the early 1920’s, the daughter of an army officer, eventually a general. He taught or encouraged her to take up flying. During World War Two she was one of the group of female pilots who flew airplanes from factories and bases to other bases, freeing men for combat duty. She is a mathematical genius, earning a PhD in mathematics and physics, at some point. She is happily married to another PhD, a well known rocket scientist. At the start of the story, she is working in the government bureau, the National Advisory Committee for Aeronautics doing computations. She has emotional scars from her college years, when she was called to the head of the class and made to shame the male students with her ability to do math in her head that they had trouble doing on paper. This seems to have given her a great fear of calling any attention to herself – at least that is how I read it.

The problems I have with her is, first, both she, and her husband, are comfortable ignoring the fact that she’s a PhD. She’s known simply as Mrs. York (rather than Dr. York) and despite her brilliance, works in a fairly menial capacity, presumably because that’s all women were allowed to do. Yet, I find it hard to imagine that any woman of her accomplishments, even in 1952, would have settled for this situation, especially someone with her bravery and determination. While she is not quite content with her status, she wants to be an astronaut, she doesn’t really ever stand up for herself, nor, for that matter does her husband. Secondly, growing up in the south of the 1920’s and 30’s, in the household of a fairly important army officer, I would think that they would’ve had a black servant or two – a cook, a maid, a nanny, and certainly yardmen and such. She would’ve been familiar with blacks, and would’ve had a definite opinion of them, one way or the other. She is, however, written as if she grew up in Lake Wobegon, Minnesota. She treats the black characters as if she is first meeting black people, and their lives are a mystery. Race relations is touched on in the story, but tiptoed around. Her treatment of them, as a southerner just didn’t feel authentic. And lastly, despite her accomplishments, she comes off as rather needy… She simply doesn’t make sense to me, at least in the first half of the book – which is probably due to me being clueless. Perhaps these issues are resolved by the end of the book, but in the first half, she never struck me as being the person she would have needed to be to have achieved what she achieved. I found it hard to relate to her, and the often mundane nature of the story she relates.

I lived through the 1950’s & 60’s, and in reading this story I never experienced even a glimmer of recognition for the time period. The same can be said for the setting and larger backdrop of the times. The backdrop of the post-asteroid world is merely hinted at with a quoted news story at the beginning of the chapters. “Mrs York” doesn’t relate much beyond her immediate concerns. Indeed, even the space program, which she is part of, mostly plays out in the background. Every so often we have a rocket launch viewed from the control room, and that’s it, at least in the first half of the book. And even her focus on everyday life doesn’t seem to bring that life into context. Once you get past the premise, there’s not a whole lot of speculative fiction in this the story – at least in the first half. And that brings us to the premise.

One of the main reasons I stop reading a book is that I find something too stupid to want to continue reading. Given the praise this book has generated, I turned a blind eye to its stupid premise. But in the end, with the story just dragging along, I could no longer ignore its nonsensical premise. That premise is, that because of the greenhouse effects, due to the amount of water put into the atmosphere by the impact of the asteroid, the earth will gradually heat up and become uninhabitable. Well, okay, I’ll give that a pass. Nothing is simple, and I would suspect that there would be a lot of unknown unknowns that might mitigate the effects somewhat, but what the heck, let’s go with it. The solution to saving humanity that the story proposes, however, doesn’t get that pass. The solution we are supposed to buy is that humans need to rapidly develop rocket ships in order to use them to escape earth and set up colonies on the moon and Mars. (Another very old and familiar premise.)

But think about it. Why would we go to all the trouble of developing a space program from scratch so that we could set up self-supporting bases on harsh, faraway, airless and/or uninhabitable worlds, in order to escape our someday uninhabitable world? I mean, if you can establish self-supporting colonies millions of miles away, and only after you perfect a whole new technology just to get there, why would you not set up those same colonies here on the earth? It would be several orders of magnitude easier, far less expensive, and it would save many, many times more people than any moon colony would. I simply can not imagine that establishing a colony on the airless, radiation bombarded moon would be easier than building underground self-supporting underground shelters here on earth – near the poles if need be.

So, long story short. The premise makes no sense to me. I suppose it makes the book more dramatic, and easier to option for a movie deal. But the reality is that the story is not all that dramatic. I have to believe that a similar story could’ve been told against an alternate cold war space race against a more accomplished Soviet Union, with, perhaps, greater effect.

All art is subjective. I don’t write criticisms. I write how stories, TV shows, and art strike me. This story, despite my best efforts, just didn’t appeal to me. Things about it just seemed off. I found that I could not relate to the narrator. It failed to make me suspend my disbelief. And well, the premise is silly. That said, I recognize that this book has much to say about the struggle for equality, something that should be said. I’m glad it found an audience.

My Library -- Robert A. Heinlein

Robert A Heinlein
image credit: https://bcmuseum.files.wordpress.com/2015/01/robert-a-heinlein.jpg

Ah, the elephant in the room. When it comes to speculative fiction fans of the early baby boomer era, the ones who discovered speculative fiction in their youth, there is one dominate figure – Robert A Heinlein. All of us must have read his “juveniles” in hardcover, with those distinctive black & white interior illustrations. And for many of us, he was one of our favorite, if not our favorite speculative fiction writer. I find that I have a dedicated list of the books of his that I either owned or read from back in the day. The two other dedicated lists I have are for the books of Andre Norton, and Edgar Rice Burroughs.

Starman Jones
Image credit:  https://www.rafeeqmcgiveron.com/scribnerrsquos-yajuveniles.html 

Though I read most of the juveniles as library books, I do have some of those books in mass market paperback in my collection as well, purchased in the mid to late 1960’s. However, I first got to know those books on the Greendale Library book shelves. They may’ve held them all. They were mostly good, even great, and were, along with the works of Andre Norton, they were the perfect introduction to speculative fiction.Starman Jones was my favorite SF book for quite a while, along with Ben Bova’s Star Conquers. Everyone has their favorite Heinlein juvenile, and it seems that Starman Jones was not a common pick. But it was mine. Looking back, and looking forward, I think it was my favorite for two reasons. The first was its opening set on a farm. Every summer my mom would take us kids back to her childhood home, a dairy farm in Wisconsin for two weeks, so that the farm setting resonated with me. The second reason is that there was just a faint hint of romance in the story. Though, perhaps I just read that into the story. In any event, given the appeal of Edgar Rice Burroughs books had on me, with their common thread of romance, I think this had to be a factor as well.

Starman Jones
image credit: https://www.rafeeqmcgiveron.com/scribnerrsquos-yajuveniles.html 

These juveniles were perfect for a very specific age in one’s life. I reread Starman Jones, just six years later, and I was surprised how “thin” the story actually is. When I first read it, I had been making believe all my life as a child, and I suspect that this ability allowed me to flesh out the story with my own make believe. Later, as that ability faded, and I was left only with the book Heinlein had written, I found it rather disappointing. In any event, I read all of his juveniles, and still remember the plot of Tunnel in the Sky, though all others, have left no specific memories. I think I enjoyed Citizen of the Galaxy a lot, and seem to recall that The Star Beast wasn’t very good at all.

Below is my current collection of Heinlein books:

Like my Norton collection, what is missing is telling. So what is missing? First is Stranger in a Strange Land. I did have a paperback copy, but I got rid of it. Now I usually keep all my books, so when I get rid of a book, you have to know that I really, really didn’t like it. Stranger in a Strange Land falls into that category, as does my Science Fiction Book Club edition of Farnhan’s Freehold. I can still remember selecting that as one of my monthly selections, and being really disappointed it when I got and read it. Beginning with Farnham’s Freehold and Stranger in a Strange Land, Heinlein and I started to part ways. My records show that I finished Stranger in a Strange Land on 24 Jan 1966. Following that, I read Gulf,(?) Podkaybne of Mars, Glory Road, Assignment in Eternity and The Puppet Masters all in 1966.

Glory Road was the last of Heinlein’s new books that I enjoyed. Though, strangely enough, I only recently discovered that I had a copy of The Moon is a Harsh Mistress on my shelves. I have no memory of ever reading it, much less owning it. But there it is. However, I can not find it listed on any of my lists, so I may’ve picked it up sometime in the early 1970’s after I stopped recording books I read. Who knows?

Starman Jones
image credit https://www.rafeeqmcgiveron.com/scribnerrsquos-yajuveniles.html 

Once again, taking out my “Science- fiction Books I Have Read, 1/5/65” list, I find that at that date I had read and rated the following Heinlein books:

Starman Jones E

Space Cadet E (No memory what so ever.)

Double Star A (ditto)

Starship Troopers B (I’m surprised I rated it that high.)

The Star Beast C (I guess I remembered correctly)

Tunnel in the Sky A (I know I read this twice.)

Rocket Ship Galileo B

Farmer in the Sky B

Between Planets A

Time for the Stars B

The Door into Summer B (Another book that I am surprised I rated it this high.)

Citizen of the Galaxy B (Only a B, but on a later list it is upgraded to an E, perhaps I reread it.)

Podkayne of Mars B

Have Spacesuit, Will Travel B

The Rolling Stones B

Waldo & Magic, Inc C & A

The Green Hills of Earth B (I’m surprised that this collection of short stories is rated so high.)

In short, a solid “B” writer. With a couple of standouts, and a couple of average books. By the end of 1965, I had added, but not rated; Orphans of the Sky, Methuselah’s Children, The Puppet Masters, Revolt in 2100, The Man Who Sold the Moon, Farnhan’s Freehold, Red Planet, and Beyond this Horizon to my list of Heinlein books read. And as I already mentioned, I read six more Heinlein books in 1966. I also have an undated list of only Heinlein books – 33 in total – with my ratings. On it, I had rated Waldo, The Star Beast, Farmhan’s Freehold, 6XH, and Stranger in a Strange Land all “C”s None of my lists include The Moon if a Harsh Mistress.

Farmer in the Sky
image credit: https://www.rafeeqmcgiveron.com/scribnerrsquos-yajuveniles.html 

From these lists, it would seem that Farnham’s Freehold was the book that started to sour my relationship with Heinlein. But I rated it a “C” so it could’ve been worse, and I continued to buy Heinlein books after Farnham’s Freehold, I guess I took Farnham as just one of those bad apples every writer occasionally produces. I also remember that, while I purchased them, when I came across them, I was never a huge fan of Heinlein’s short stories from the 40’s in those anthology books published by Signet. However, seeing that I seemed to have rated them in my Heinlein only list as “B” books, it is possible that my later falling out with Heinlein has colored my recollections of them. In any event, in 1966 I read five Heinlein books, starting with Stranger in a Strange Land, and only one of his books in 1967. My list of books I read for 1970 has no Heinlein books. Clearly, by the time he wrote I Will Fear No Evil, Heinlein was history.

Between Planets

image credit: https://www.rafeeqmcgiveron.com/scribnerrsquos-yajuveniles.html 

I did try, in the 1980’s or 90’s, to read several of his later novels, but I found them so bad – sorry soapboxes for Heinlein, the self-styled philosopher, to preach his strange philosophy from – that I couldn’t get more than a couple of chapters into them. A sorry end, in my opinion. If he aspired to be a philosopher, he should have published his ideas and insights in non-fiction books, not plow them, into fiction “stories.” These days, the more I learn about the man, the less I like him. So, unlike Andre Norton, I no longer have any fond memories of this pillar of my early speculative fiction reading. I guess that rereading my favorite story only half a dozen years after I first read it, and finding it lacking, tells the story of Robert A Heinlein in my life.

Robert A Heinlein
image credit: https://www.prnewswire.com/news-releases/publication-of-new-novel-by-robert-a-heinlein-by-arc-manor-shows-how-small-presses-are-changing-publishing-300915876.html