The Saturday Morning Post EXTRA! EXTRA! (No. 154)

 

It has been a rough couple of weeks, reading-wise. But you have to expect some rocks and briars once you leave your familiar cow path and strike out for unexplored books. I can take the rough with the smooth. Besides, I usually have more fun writing about books I don't like than the books I do like, so I'm not complaining.

Still, it would be nice to read a good book again. I downloaded several possible candidates, and today's books, since this is a double-header review, are the books I chose to begin with. I have to believe the first one is a reread. I'm almost certain this was one of the bedtime book I read to my kids when they were young, but I have no clear memory of doing so. However, what I can say is that the TV series is perhaps my favorite TV show of all time. So what can go wrong?

My reviewer criteria. I like light, entertaining novels. I like smaller scale stories rather than epics. I like character focused novels featuring pleasant characters, with a minimum number of unpleasant ones. I greatly value clever and witty writing. I like first person, or close third person narratives. I dislike a lot of "head jumping" between POVs and flashbacks. I want a story, not a puzzle. While I am not opposed to violence, I dislike gore for the sake of gore. I find long and elaborate fight, action, and battle sequences tedious. Plot holes and things that happen for the convenience of the author annoy me. And I fear I'm a born critic in that I don't mind pointing out what I don't like in a story. However, I lay no claim to be the final arbitrator of style and taste, you need to decide for yourself what you like or dislike in a book.

Your opinions are always welcome. Comment below. 

Anne of Green Gables by L M Montgomery  A

As it turned out, nothing. In fact, the book was far better than I expected it to be. As I said in the lede, the 1985 TV version of Anne of Green Gables, including the sequel may well be my favorite TV show of all time. (I don't count the third entry, "Continuing Story' as "canon", at least for me.) I know they have made a new version a few years ago, but Megan Follows is, and will always be, Anne Shirley. I have the complete collection on DVDs, and will have to watch it again on some cold rainy day.

Do I need to outline the story? Mathew, a very shy sixty-year-old bachelor and his spinster sister, Marilla, live on a farm on Prince Edward Island Canada decide to send for an orphan boy to help around the farm. There is a mix up, and they end up with the 11 year old Anne Shirley, a very sweet young girl with a vivid imagination and much given to talking. She brings a new life to the old folks with her various escapades. The story is lush evocation of nature and life in a small community at the turn of the last century. If you haven't read the book, do so. It is free on Gutenberg. And/or watch the 1985 version of the book and its sequel. I don't recommend the the third series with Anne all grown up, set during WW l.

Spoilers ahead!

I was surprised to discover just how closely that TV show followed the book. There were minor changes. For example, Anne was reciting The Lady of Shalott in the TV version, but the book has them reenacting Tennyson's Lancelot and Elaine, which I gather is the same story, but not the ballad. In the book, Mathew dies in the doorway of the house after reading that the bank where they have all their money has failed, with both Anne and Marilla present, instead of the field with Anne alone. Various incidents in the book take place in other places in the TV show, but I recognized all of them from the TV show.

Anne of Avonlea by L M Montgomery   B+

This book continues the story of Anne from the point where Anne of Green Gables left off. Both of these stories are episodic in nature. However, in the first book there was much more of an over-arching plot, that of Anne fitting into her new life with Marilla and Mathew and life in Avonlea that served to tie all the episodes together. That strong over-arching plot is missing in this book, making it more of a series of episodes and character studies rather than being driven by a unified plot.

This story recounts Anne's two years as a teacher in the Avonlea school she graduated from just a year prior. We get to meet and know half a dozen new characters and their backstories. Anne still gets into trouble, but is now much more grown up. 

While there are a couple if incidents I recognized from either the original TV show, or its sequel, much of this book is new material to me. For example, in this book Marilla takes in twin 6 year old orphans on a temporary basis, the children of a third cousin, whose uncle is supposed to come and pick them up in the following summer. This never happened in the TV show.

I consider these books historical fiction, though they were written as contemporary fiction. While they no doubt idealize certain aspects of the  contemporary life of the time, they also highlight certain aspects that might be easily overlooked by today's writer setting a story in that period, or if not overlooked, over emphasized. One such aspect is the commonplaceness of death in these stories. People of all ages die in these stories. No doubt some for the convenience of the plot, but the fact that not only infants and old people in their 50's - 70's die, but middle aged people get sick and die is taken as a matter of course. Sad, but that's life. Or that you had today's high school seniors working as teachers in one room school houses with one year of special training - until, of course they got married, and then they would be fired... Things like this could be found with research, and are, but too often these commonplace facts of life that seem strange to us now, get emphasized in contemporary historical fiction because their unfamiliarity, distorting ever-so-slightly the times they present.

I have the next two books Anne of the Island and Anne of Windy Poplars, downloaded. They seem to be the sources of the the Sequel series, with Anne as a young woman in college and as a teacher at a private school. We'll have to see how soon I get around to them.

The Saturday Morning Post (153)

 

This issue we have a rather weird book. For a change of pace. What the hell?

My reviewer criteria. I like light, entertaining novels. I like smaller scale stories rather than epics. I like character focused novels featuring pleasant characters, with a minimum number of unpleasant ones. I greatly value clever and witty writing. I like first person, or close third person narratives. I dislike a lot of "head jumping" between POVs and flashbacks. I want a story, not a puzzle. While I am not opposed to violence, I dislike gore for the sake of gore. I find long and elaborate fight, action, and battle sequences tedious. Plot holes and things that happen for the convenience of the author annoy me. And I fear I'm a born critic in that I don't mind pointing out what I don't like in a story. However, I lay no claim to be the final arbitrator of style and taste, you need to decide for yourself what you like or dislike in a book.

Your opinions are always welcome. Comment below. 

Dirk Gentry's Holistic Detective Agency by Douglas Adams  C

I've gone on record as saying that I don't like silly stories. And given that attitude, I probably should've given this book a miss. I read his Hitchhiker's Guide to the Galaxy books, and found them, OK, but not hilarious, as some readers do. So I wasn't going into this book unprepared. Even so, it was a disappointment.

I did, however, stick with it to the end. I think the reason was that though the story itself is chaotic and silly, the writing is clever. If it had been a silly story with silly humor, I would've DNFed it rather quickly. But as someone who really appreciated the clever use of the English language, I put up with the nonsense story because I enjoyed the use of language. But, as you can see, not really all that much.

The story itself is, very disjointed and entirely unbelievable. It is mostly just a series of often seemingly unrelated episodes highlighting Adam's humor in various locales and with various characters, all loosely strung together into some resemblance of a plot, the importance of which is entirely unimportant. From the title, I had been under the impression that it would feature an unconventional detective solving special crime(s). Now, to some extent this is true, but it is a fairly minor element, and no believable way, indeed, understandable fashion. At least unless, perhaps, if you make a deep study of the story elements, which I am not inclined to do. Truthfully, I had to google the Wikipedia entry of this story just to figure out how it ended. And I'm still sure how they derive their interpretation. I'm not even convinced that what they claim is in the story, is actually in it. 

I suppose I could outline the plot, but really, what's the point? Why try to impose order on chaos? You may want to read it if you enjoy the Monty Python style humor. The alleged plot is just a scaffolding to hold it up this exercise in humor. There is a second Dirk Gentry novel, The Long Dark Tea-Time of the Soul, and the third one completed by another writer after Adams' death, neither of which I will be reading. Once is enough.

Thoughts on Audiobooks

Audiobooks are popular. They're the fastest growing segment in books sales. A lot of people consume audiobooks. I use the neutral term "consume" deliberately. Personally, I don't consider listening to someone read a book  to be "reading" as book. Stretching the word reading to cover listening is a bridge too far for me. However, I'm not going to argue with anyone who wants to do so, i.e. whatever. (Or is it 6-7 these days?)

I think there are several important differences between reading with one's eyes and with one's ears that make it a truly different experience.

Now, I'm not an audiobook "reader" for several reasons that I will touch on later. So I have only a very limited exposer to the medium, and what I know about it is mostly second hand. Still I think I can say a few things about audiobooks.

The first thing that strikes me is that just listening to an audiobook, and doing nothing else, seems rare for many audiobook fans. I gather that one of the great benefits of audiobooks is that you don't have to sit down and read the story. You can be multitasking. You can listen to audiobooks while driving, doing chores, grocery shopping, and perhaps even working. You can do it anywhere. This is a plus for busy people, and I think partly explains the popularity of audiobooks. 

Contrast this with reading print books, paper or electronic, where you have to be paying most of your attention to the words. You can have music on in the background, but most of your focus is on the story, not on whatever else you are doing, because you can't be doing much else.

Comprehension aside, I think this difference is significant in that the act of reading in the case of text is primary, and sedentary, while audiobooks are often a secondary experience while doing something else. There seems to be a deliberate ranking of importance. If you don't have the time to sit down and read, you can add "reading" to whatever you are doing while listening to an audiobook. The other activity is the primary activity, with reading just adding value to it. 

Audiobook fans will often cite the narrator as an essential element to their enjoyment of the story. Indeed, it is sometimes the entire reason for picking up the audiobook.  It seems that the more creative reading the narrator can bring to the story, the more voices he or she can do, is one of audiobooks' great draws. Indeed, there are some audiobooks now that have a cast of readers to voice the different characters. Being familiar with the old radio shows you used to see offered on cassette tapes, this sounds familiar. I wonder how they work? In radio, the actors were working from a radio script, but in audiobooks, the voice actors are reading, I presume, from the book, with all the bookish things still intact; from descriptive passages to dialog tags. That would seem, well, awkward to me.

And then there is the fact that most people read faster than the narrator can read out loud.  As a result, many audiobook fans listen to their books at 1.2X to 2X times the natural speed of the narration. Apparently they don't mind listening to Alvin the Chipmunk narrating their books for them. I wonder if they speed through all the great narrators and ensemble casts as well?

As I said above, I'm not a fan of audiobooks for several reasons.

For me, what I enjoy is sitting down in my easy chair and reading a book. I might have music on in the background, but I hardly notice it, and probably don't need it. I guess I have too much time on my hands and so, I have no reason to resort to audiobooks.

I find audiobooks too slow, too tedious, and not being a fan of Alvin as a narrator. I find it is just easier to do it myself.

And then we come to the voice of the narrator. I have a "voice" in my head as I read the book. A very familiar voice. With audiobooks you must accept another voice, and it may not match the voice in your head. I recently sampled the audiobook version of the Emma M Lion books, and while I can't say that I had any particular voice in my head for Emma - I just have one voice - I knew what I was hearing was just wrong. The voice acter, selected out of a hundred candidates by the author, sounded too old and too posh for Emma, the daughter of an Irishman and raised in a cottage. I would've expected a much lighter voice for a twenty year old and with an Irish lilt to it. Perhaps you get used to it, but well... The reality is that any voice acter will likely sound different than you reading voice, and will take getting used to. If you can.

And while I've not heard any of the best narrators audiobook fans rave about, I have to admit that I find the whole idea of creating different voices for different characters to be inherently silly. The whole idea sounds to me like a parlor trick for a kid's birthday party. You just know it's someone distorting their voice, not a real character speaking - a gimmick, a lie. Plus, I think it's entirely unnecessary. I don't think I give characters any distinct "sound" in my imagination. As with Emma M Lion, their individual speech in my head is created by the way the author writes their dialog and thoughts. Nothing more seems to be needed. And I suspect that this is true for those "full cast" audiobooks as well. 

And then there is the fact that with audiobooks, unless you listen to them as you read the words, you are missing all the visual clues that text on the page gives the reader when looking at it. Audiobooks present the story as one big block of words. Yes, there are pauses and stops to break it up. Emotions can be put into words, that may help define the text - though they may not match how you would read the words yourself. (I noticed that as well in those Emma M Lion audiobook samples.) Nevertheless, I know from my own books in audiobook form, that it's sometime hard to decipher where one speaker finishes and the next one begins, so that it can often be, at least briefly, unclear who is say what without a dialog tag. Plus, dialog tags sound awkward when spoken out loud. All this is no problem on the page, what with all the visual clues in the way the sentences are set out and with the use of visible punctuation. Plus, what are your eyes doing while listening to an audiobook? Close them and risk falling asleep, keep them open an risk distractions. Little wonder audiobooks are often an axillary activity.

And for me, there is one last consideration. Given how easily I blank out music - I can't seem to concentrate on a tune for more than a minute, unless I know the words and am following along - I have to wonder how engaging an audiobook would need to be to hold my attention. And how quickly I'd loose concentration and interest in the too slow narration?

Obviously my concerns about audiobooks are not shared by a lot of readers. And I have no issues with people who like reading that way. Especially as a publisher. Audiobooks now account for up to half of my sales. 

But what about you? Do you read audiobooks?

The Saturday Morning Post EXTRA! EXTRA! (No. 152)

In this week's second post, we have a historical fiction book by one of the more popular living historical fiction authors. He's written several series, one concerning Rome, another about Genghis Khan, plus a fantasy series. None of those, however, is what I picked up. So what did I opt for?

My reviewer criteria. I like light, entertaining novels. I like smaller scale stories rather than epics. I like character focused novels featuring pleasant characters, with a minimum number of unpleasant ones. I greatly value clever and witty writing. I like first person, or close third person narratives. I dislike a lot of "head jumping" between POVs and flashbacks. I want a story, not a puzzle. While I am not opposed to violence, I dislike gore for the sake of gore. I find long and elaborate fight, action, and battle sequences tedious. Plot holes and things that happen for the convenience of the author annoy me. And I fear I'm a born critic in that I don't mind pointing out what I don't like in a story. However, I lay no claim to be the final arbitrator of style and taste, you need to decide for yourself what you like or dislike in a book.

Your opinions are always welcome. Comment below. 

War of the Roses - Stormbird by Conn Iggulden  DNF 57%

This is a contemporary written historical fiction book that reflects the seemingly bog standard contemporary style of writing fiction. Instead of telling just one story - how boring - authors these days, especially in fantasy, like to tell four, five, or more stories in every book, using multiple points of views. That's the case here. I counted five point of view characters used by the author just o tell the opening stages of the English civil war between the houses of York and Lancaster. 

We get the point of view of a fictional spymaster/fixer. We get young Margaret of Anjou, the 14 year old bride of the King of England's story. Plus we have a retired English archer turned farmer in Marine, France's experiences. And that of various Dukes. And for some unknown reason, the story of some random fellows murdering a magistrate. I have no idea what they are doing in this story, since the episodes seemed to have no relationship to the larger story. Indeed, I ended up skipping those episodes after that first one. That wasn't the story I picked up the book to read. 

Multiple point of view books are simply not my cup of tea, but if you like them or don't mind them, you can skip the rest of the review, and give the book a try if historical fiction appeals to you. Iggulden is a good writer, with interesting characters, assuming that you don't mind them coming and going all the time. 

My problem with stories like this is that I need a character to travel alongside through the story. If I don't have one I'm not drawn into the story. That is the case here. While it may be that an author weaves all these stories in in order to create a multi-faceted epic, I question the necessity of doing so. Do you really need them if you have an epic story to tell? I'm left wondering how boring the story would've been, had not all these random characters been tossed in to have more things happening. 

I also get the sense that by slicing, dicing, and sprinkling in all these viewpoint characters throughout the story, the author doesn't have to tell a complete story for each of theses characters. He just brings them for random dramatic parts, without the need to write a coherent story for each character. All the mundane parts of their lives can ignored, hidden behind all the other point of view interludes. I think that's cheating.

My other complaint about this book is that, after doing a little Wikipedia research myself, it seems that Iggulden is playing rather fast and loose with history. No doubt there are several interpretations of the historical events of the period for him to choose from. Still, in this book he has the truce between England and France that had England giving up two provinces to French set to last 20 years, whereas it seems it was only 23 months in real life. It also seems that he compressed timelines, perhaps for dramatic effect; historical battles may've been  pushed up 3 or 4 years - though he is careful not to state the years, or the intervals between episodes. Yes, it is fiction, after all. But then again, it's historical fiction, not fantasy....

As I said above, my problem is with its structure, not the writing. Any character I could care about appeared only occasionally and not often enough for me to keep forcing myself to continue on reading all the other parts.

The book has just under a 4 star rating on Goodreads, but the spread is pretty even between 5 and 3, with 4 being the most popular, so I take it that this book is considered good, but not great. I won't be returning to this author. Too modern.

The Saturday Morning Post (No. 151)

 

Topper is a 1937 supernatural comedy movie staring Candence Bennett and Cary Grant. The story's premise is that a fellow is haunted by a fun loving couple who died in a car crash, the car in question being the one he bought. I wanted to read the novel the movie was based on.  However, I could not find that book on Gutenberg, so I picked up another of his books to read instead. But hey, while researching and writing this lede, I discovered that Topper is, in fact, available the public domain, just not on the Gutenberg Press site, so I ended up getting it after as well.

My reviewer criteria. I like light, entertaining novels. I like smaller scale stories rather than epics. I like character focused novels featuring pleasant characters, with a minimum number of unpleasant ones. I greatly value clever and witty writing. I like first person, or close third person narratives. I dislike a lot of "head jumping" between POVs and flashbacks. I want a story, not a puzzle. While I am not opposed to violence, I dislike gore for the sake of gore. I find long and elaborate fight, action, and battle sequences tedious. Plot holes and things that happen for the convenience of the author annoy me. And I fear I'm a born critic in that I don't mind pointing out what I don't like in a story. However, I lay no claim to be the final arbitrator of style and taste, you need to decide for yourself what you like or dislike in a book.

Your opinions are always welcome. Comment below

Biltmore Oswald, The Diary of a Hapless Recruit by Thorne Smith  C+

This 1918 book recounts the humorous experiences of the title character as he joins the navy. It is told in diary form, each with some sort of mishap or observation about his shore training in the navy.

It is a very quick, light read, each entry is something of a short comedy skit or sketch. Nothing deep. Not a lot of details about the life, just a breezy account of a rather inept young man. It is witty enough, but does not quite have the magic of a P G Wodehouse story, perhaps because there are no supporting characters. It's just Biltmore and some nameless fellow recruits, along with a goat and a dog.

Nothing to write home about, not laugh out loud funny, but amusing enough.

Topper by Thorne Smith  DNF 21%

This is that story about a haunted car. Cosmos Topper, a 40 year old banker/broker living in the suburbs feels like his life is in a rut. Well, it is. And discontented about it, so he buys a car. It turns out the car he bought was well known about town. It was the car of a wild-living, hard-drinking married couple, George and Marion Kerby met their unfortunate end by hitting a tree. The car, however was repaired, and Mr Topper buys it. Unknown to him, it comes with the ghosts of the Kerby's, who, in this story are basically invisible people.

It probably made a better movie, especially with Cary Grant as Topper. As a book, well, it suffers from my big bugaboo when it comes to storytelling - remoteness. Cosmos Topper, as well as George and Marion are just characters in a story, with no actual connection to a believable life. Ghosts aside. And while Smith tells the story with wit and insights, I never stopped noticing him telling the story. I didn't hate it, but I realized that I as forcing myself to keep reading, and that's something I do only rarely. I decided that in this case, I didn't like anyone enough to keep reading. So I didn't. 

Still, you might like it; a screwball comedy in words, and illustrations. Thorne Smith is a well regarded writer of humorous stories. He's just not to my taste.

I'm DNFing a fair number of books these days, but I think that can be explained by the fact that I am looking far and wide for books to try. I've got a couple more iffy ones on the way.

 

Links to The Founders' Tribunal

 

The Founders' Tribunal is now available. Below are links to the stores where you can pick up your copy. I will add more Links as the book make its way through the various stores.

Amazon $1.99

Smashwords FREE

Thalia FREE

Everand  FREE WITH SUBSCRIPTION 

Vivlio FREE

Apple FREE ebook

Apple FREE audiobook

Fable FREE (in app )

Google FREE ebook

Google FREE audiobook

Barnes & Noble FREE

Kobo FREE

I am not going to release an audiobook version of this story on Amazon/Audible as it is just a novella, and the minimum price I can list it on is $3.99, the same price as all my novels. I am, however, planning to release a paperback book and an audiobook that includes this story along with The Isle House Ghost and Nine Again in  Q1 2026.

10 & 1/2 Years of Self Publishing, A Report

The first half of my 11th year as a publisher has been a remarkably good one. My best ever, in fact. The three keys have been 1.) a fairly substantial catalog of books, 2.) relatively frequent releases, and 3.) the elephant in the room: the Google Play Store.

1.) My back catalog now offers 19 to 23 books, depending on the the store. (In some stores, The Bright Black Sea and The Lost Star's Sea have been split into a six book series in order to offer them as audiobooks on Amazon.) 

Even 10 years later, The Bright Black Sea continues to be my best selling book. Between ebooks and audiobook versions it sold between 150 and 337 copies a month over the last six months. This illustrates that genre does matter, since space opera is one of the most popular SF sub-genre. Shadows of an Iron Kingdom is set in the same universe as The Bright Black Sea and it's usually my second most popular title. However, for some strange and unknown reason it outselling the first two books in that series. My best guess is that it has something to do with its title or the Gothic vibe of the story.

Depending on the month, most of my other books sell from 50 to 150+ copies between ebooks and audiobook editions, the bulk of them on Google. With twenty-odd books to sell, sales add up. Plus, as I've mentioned before, for every new reader you sell a book to, they may go on to read more of your books, ideally, all of them. In my case, a single new reader might account for 18 additional sales. 

2.) Since September 2024 up to this week's Nov 6th, 2025 release of The Founders' Tribunal, I have released two novels, and two novellas. I plan to release a third novella with a bonus short story, The Isle House Ghost and Nine Again, in February 2026 to continue this pace. New books generate a bump in monthly sales, not only on account of the sales of the newly released book, but in sales across the board, as new releases have their own less crowded selection on the ebook stores making it is briefly easier to reach new readers and remind past readers you're still around and writing. 

I am not racing to release books for the sales. I write because I enjoy writing every day. When I have shorter stories to tell, I can write more stories, which naturally leads to more releases.

3.) My sales on Google for both ebooks and audiobooks continue to dominate all the other venues combined. In any given month, most of my books on Draft2Digital, Kobo, and Amazon usually sell in only single digits, and many do not sell at all on Amazon. I sell 8x to 10x more books on Google than any other venue. The only way I can explain this is that people read books on their phones, and there are a lot of Android phones out there, with the Google Play Store as the default book store.

I'm going to keep this simple this time around. Here are the sales by month, venue, and book type for the period May 2025 thru Oct 2025.

Monthly Book Sales May - Oct 2025

 Sales           ebooks        audiobooks     percentage ebooks/audiobooks

May 1405     779 ebooks 626 audiobooks   55.4% ebook/44.6% audiobook

June 1707    982 ebooks 725 audiobooks   57.5% ebook/42.5% audiobook

July  2040  1407 ebooks 633 audiobooks   69% ebook/31% audiobook

Aug  2084  1364 ebooks 721 audiobooks   65.4% ebook/34.6% audiobook

Sept 2007  1261 ebooks 746 audiobooks   62.8% ebook/37.2% audiobook

Oct  1796  1121 ebooks 629 audiobooks   63.4% ebooks/36.6% audiobook

                       6 paperback books sold

Total Book Sales 1H 2025  11,039  ebooks 63% audiobooks 37%

For comparison;  1H 2024 7,671  1H 2023 9,177   1H 2022 9,054 

Total Book Sales April 2015 to October 2025  114,503

Sales by Venue/ Percent of Sales. (Year 10:  May2024 - April 2025)

Draft2 Digital* 1,767     16%  (Year 10: 21.5% -5.5% )

Kobo                 118       1%   (Year 10: .5% +.5%) 

Amazon             256       2%  (Year 10: 5% - 3%)

Google           8,888      81%  (Year 10: 73%  + 8%)

*D2D includes Apple, Apple audio, B & N, Smashwords, et al. 

Revenue from Amazon sales

$36.53

The most interesting number in the data is that audiobooks only accounted for 37% of my sales so far this year, compared to 49.5% in my 10 year sales period (May 2024-April 2025) despite selling more total books this half. I have no clue as to why.

The bottom line is that I continue to sell at a midlist author's rate. Enough to keep me from getting discouraged. Of course, it is 100X easier to sell books at $0 than even $.99, so you can discount my sales as much as you care to. However, underselling your competitors is a Business 101 strategy. I sell most of my books at cost, and yet still make a tiny profit doing so, and have been doing that for more than 10 years now. I chose to value readership over pocket money, and laziness over hustling for sales. This low stress approach to writing and publishing has paid off; I'm still writing and publishing new books after 10 1/2 years in the business. Most authors, indie or trad can't say that.